CONSCIOUSNESS IN THE CELL

INTRODUCTION

The theory of evolution was put forward by the naturalist Charles Darwin in the middle of the 19th century, when the level of science and technology was rather primitive, compared with today's. Nineteenth-century scientists worked in relatively simple laboratories. With the very unsophisticated equipment available to them, scientists couldn't even see bacteria. Moreover, they were still under the influence of many false beliefs left over from the Middle Ages.

One of these misconceptions was that living organisms had a fundamentally simple structure—a belief that can be traced back to the ancient Greek philosopher Aristotle, who wrote that life could come about spontaneously and coincidentally, as a result of inorganic matter assembling itself in a moist environment.

In developing his theory, Darwin drew on the assumption that living things had only a simple structure. Other biologists who later adopted and defended Darwin's theory shared this same belief. For example, from the view of cells that 19th century microscopes provided, Ernst Haeckel, Darwin's greatest supporter in Germany, believed that a cell was a "simple little lump of albuminous combination of carbon," not much different from a piece of microscopic jello. (John Farley, The Spontaneous Generation Controversy from Descartes to Oparin, 2nd ed., Baltimore:The Johns Hopkins University Press, 1979, p. 73)

The theory of evolution was based upon this and other similar presumptions. Authors of the theory like Haeckel, Darwin, and Huxley believed that because life was made up of very simple structures, it could come about by itself, randomly. But they were wrong, of course.

During the past 150 years, from Victorian times until now, both science and technology have made enormous strides. Scientists have discovered the real structure of what Haeckel described as being a "simple little lump." They have been amazed to see that the cell is not remotely as simple as was once believed, but contains a number of unimaginably complex systems that could never have been conceived of, much less understood, in Darwin's day.

In explaining the structure of the cell, Professor Michael Denton, the famous molecular biologist, makes this analogy:

To grasp the reality of life as it has been revealed by molecular biology, we must magnify a cell a thousand million times until it is twenty kilometers in diameter and resembles a giant airship large enough to cover a great city like London or New York. What we would then see would be an object of unparalleled complexity and adaptive design. On the surface of the cell we would see millions of openings, like the port holes of a vast space ship, opening and closing to allow a continual stream of materials to flow in and out. If we were to enter one of these openings we would find ourselves in a world of supreme technology and bewildering complexity... (Michael Denton, Evolution: A Theory in Crisis, London: Burnett Books, 1985, p. 328)

This book will introduce the miracles of creation in the living cell, a miniature masterpiece that possesses a much more complicated and wondrous system than a giant spaceship's. We will show how the organelles inside the cell, together with the enzymes, proteins and other substances that it produces, perform purposeful functions that could never be expected of them. We'll give examples of the literally trillions of cells to be found in the human body, each of which displays superhuman intelligence and wisdom. Once again, we remind ourselves how all of this cannot be merely an unconscious coincidence, but is a product of God.

Proofs of God's creation, and manifestations of His superior power, wisdom and artistry are everywhere. Wherever we turn, we come face to face with God's creations that move us to exalt Him with glorification.

One reason why this book concentrates on the cell in particular is once again to present the truth to those who deny God by claiming that life is only a result of coincidence. Living things are too complex, too infinitely detailed to have come about as the result of happenstance. It's clear that they were created by a superior Mind and Power. Also, this book aims to explain the superiority manifest in God's creation and to glorify Him thereby.

INTELLIGENT DESIGN, IN OTHER WORDS CREATION

In order to create, God has no need to design

It's important that the word "design" be properly understood. That God has created a flawless design does not mean that He first made a plan and then followed it. God, the Lord of the Earth and the heavens, needs no "designs" in order to create. God is exalted above all such deficiencies. His planning and creation take place at the same instant.

Whenever God wills a thing to come about, it is enough for Him just to say, "Be!" As verses of the Qur'an tell us: His command when He desires a thing is just to say to it, "Be!" and it is. (Qur'an, 36: 82)

[God is] the Originator of the heavens and Earth. When He decides on something, He just says to it, "Be!" and it is. (Qur'an, 2: 117)

ALLAH'S ARTISTRY IN COLOUR

Have you ever thought what it would be like to live in a world without colour? Free yourself for a moment from your experience, forget all that you've learned and start using your imagination. Try to visualise your body, the people around you, the seas, the sky, trees, flowers, in short everything in black. Imagine that there is no colour around you. You would never want to live in such a world, would you?

A colourless world would normally be thought of as having only black, white and shades of grey. However, black, white and shades of grey are also colours. In this respect, it is difficult to imagine colourlessness.

Try, just for a second, to imagine that all of a sudden, everything loses its colour. In such a situation, everything would mix with everything else and it would become impossible to distinguish one object from another. It would become impossible to see, for example, an orange, red strawberries or colourful flowers on a brown wooden table, for neither would the colour of the orange be orange, nor that of the table brown, nor that of the strawberries red. For a person, it would be quite annoying to live, even for a short time, in such a colourless world, which is even difficult to describe.

Colour has a crucial role in man's communication with the outside world, in the proper functioning of his memory, and in his brain's fulfilment of its learning functions. This is because humans can develop appropriate connections between events and places, people and objects only through their external appearances and colours. Neither hearing nor touch alone suffice to define objects.

Identifying objects and our surroundings are not the only benefits from the diversity of colours. The perfect harmony of colour in nature gives the human soul great pleasure. In order to see this harmony and derive pleasure from every detail of it, man has been equipped with a pair of eyes, which have a very special design. In the world of animate beings, human eyes are the most functional and can perceive colours in their smallest details, so much so that the human eye is sensitive to millions of colours. Evidently, the visual apparatus in humans that works so perfectly has been specially designed to see a world full of colour.

The only being on earth that can understand the existence of such an order in the universe is man because he has the power to reflect and reason. Hence, in the light of all the foregoing, we conclude the following:

Every detail, pattern and colour in the heavens and the earth have been created for humans to acknowledge and so to appreciate this order and reflect on it. The colours in nature have been arranged in such a manner as to appeal to the human soul. Perfect symmetry and harmony prevail within colour, both in the worlds of animate and inanimate beings. This situation will certainly evoke some questions in the mind of someone who reflects, such as:

What makes the earth colourful? How do the colours, which make our world so extraordinarily beautiful, come into being? To whom belong the design of the diverse colours and the harmony between them?

Is it possible to say that whatever exists might have come into existence by purposeless changes brought about by a chain of coincidence?
Certainly, no one would claim such an absurdity. Uncontrolled coincidences cannot create anything, let alone billions of colours. Just observe the wings of a butterfly or colourful flowers of any kind, each of which looks like a wonder of art. It is surely impossible for sound reason to attribute all these to unconscious processes.

We can have a better understanding of this fact if we take an example. When one sees a painting depicting trees and flowers in nature, one would not claim nor even think that the harmony of colour, the organised patterns and the conscious design in this painting could have come into existence by coincidence. If someone came along and said, "the paint boxes were overturned by the wind, mixed, and with the effect of rain etc., and after a long period of time this beautiful painting was formed", it is certain that nobody would take him seriously. There is a very interesting situation here. Although nobody would attempt to put forward such an unreasonable claim, some people can nevertheless claim that the perfect colouring and symmetry of nature came about by such an unconscious process. Nevertheless, evolutionists produce theses that it is the workings of coincidence to explain this subject and they produce various researches. They do not hesitate to put forward baseless claims on the issue.

This is obvious blindness, with which it is difficult to come to terms. Still, someone who escapes from this blindness through exercising his faculty of thought will understand that he actually lives in an extremely miraculous environment on the earth. He would also fully acknowledge that such an environment furnished with the most appropriate conditions for the survival of humankind could not have come into existence by chance.

Just as a man who reflects, acknowledges the moment he looks at a painting that it has a painter, so will he understand that the multi-coloured, harmonious and extremely picturesque environment around him also has a Creator.

This Creator is Allah, Who has no partner in creation, Who creates everything in full harmony, and Who placed us in this world overflowing with numerous beautiful things embellished with millions of colours. All the things Allah creates are in perfect harmony with each other. Allah describes the uniqueness of His artistry in creation in the Qur'an as follows:

He Who created the seven heavens in layers. You will not find any flaw in the creation of the All-Merciful. Look again-do you see any gaps? Then look again and again. Your sight will return to you dazzled and exhausted! (Surat al-Mulk: 3-4)

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